Leila Danziger, Ao Sul do Futuro #1 (South of the Future #1) , 2018.
Envelope, postcard and stamp on cardboard, 40 x 60 cm.
Photo Wilton Montenegro. Private collection.
Abstracts
Sessions
*Each paper will have 30 minutes for presentation + 10 minutes to debate and questions
Chairs:
V | Claire Farago (University of Colorado, US)
P | Jens Baumgarten (UNIFESP, Brazil)
V - Virtual | P - In person
Monday
09:00 – 12:00 | Registration
12:00 – 13:20 | Lunch
13:20 – 14:00 | Opening Ceremony
14:00 – 14:20 | Opening Remarks | ARTISANAL EPISTEMOLOGIES AS A TRANSCULTURAL CATEGORY
14:20 – 15:00 | NEW EPISTEMOLOGIES | V | BART PUSHAW (Univ. of Copenhagen, Denmark)
Greenlandic Woodcuts and the Global Circulation of Inuit Knowledge circa 1860
15:00 – 15:40 | V | SUSAN LOWISH (Univ. Melbourne, Australia)
Ochre, Bark, Brush: material concerns in Australian Indigenous art
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | V | PETER KRIEGER (UNAM, Mexico)
Artisanal Popular Construction and Artistic Configuration of Waste in the Work of Contemporary Artist Abraham Cruzvillegas
16:40 – 17:20 | CIRCULATING INSTITUTIONS/OJECTS | V | DEEPTI MULGUND (Shiv Nadar University)
The Artisan and the School-Goer: Drawing and the Continuities of 19th Century Colonial Education in India
17:20 – 18:00 | V | PATRICIA ZALAMEA (Univ. de los Andes, Bogotá, Colombia)
Self-Reflexive Practices in the Art of Luis García Hevia: From Colonial Workshop to Photographic Process in the Nineteenth-Century Colombian Academy
18:30 – 20:00 | Opening reception - Goethe Institut
Tuesday
09:00 – 09:40 | CIRCULATING [CONTD] | V | CHRISTINE GÖTTLER (Univ. Bern, Switzerland)
Crafting containers for charismatic goods: Salt and saltcellars in a globalizing world
09:40 – 10:20 | V | LEAH R. CLARK (Oxford Univ., UK)
Making and Sensing: Aromatics and their receptacles in transcultural exchanges
10:20 – 11:00 | P | RENE LOMMEZ GOMES (UFMG, Brasil)
Brazilian Techniques, Angolan Woods and Chinese Lacquer. The circulation of artisanal knowledge and artistic materials in João Stooter’s practical manual
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | TEXTUAL FLOWS | V | JEANETTE FAVROT PETERSON (Univ. of California Santa Barbara, US)
Artisanal Authority and Indigenous Knowledge in the Book Culture of Sixteenth-Century Mexico
12:00 – 12:40 | V | ERIN BENAY (Case Western Reserve Univ., Cleveland, US)
From Stone and Wood: Carving Christian Identity in Early Modern India
12:40 – 14:00 | Lunch
14:00 – 14:40 | V | IARA LIS SCHIAVINATTO (UNICAMP, Brazil)
In exile and l'ami des arts, an image maker in the tropical world
14:40 – 15:20 | KNOWLEDGE-SHARING MODELS | V | DARIO DONETTI (Univ. Chicago, US) & LORENZO VIGOTTI (Columbia Univ., US)
Migrating Inventions. The Double-Shelled Domes of Soltaniyeh and Santa Maria del Fiore
15:20 – 16:00 | P | VERA-SIMONE SCHULZ (KHI, Florence, Italy)
Transcultural Dynamics Beyond Art Historical Notions of Centers and Peripheries: Processes of Making along the Pre-Modern Swahili Coast
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | V | MIA MOCHIZUKI (Independent Scholar, US)
Making: A Global Methodology?
17:00 – 17:40 | Final Remarks of Session
[GIVE 15 MINUTE BREAK]
17:40 - 18:00 | Final Remarks
18:00 – 19:30 | Conference
Chairs
V | Saloni Mathur (UCLA, USA)
P | Elisa Martinez (UnB, Brazil)
V - Virtual | P - In person
Monday
09:00 – 12:00 | Registration
12:00 – 13:20 | Lunch
13:20 – 14:00 | Opening Ceremony
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | V | ALEXANDER ALBERRO (Barnard College, Columbia University)
Borders Without, Borders Within
15:00 – 15:40 | P | EDIT ANDRÁS (HAS, Budapest)
Wolf in Sheep's Clothing, Transcending the Borders in Post-Socialist Nationalist Hungary
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | P | KRISTA KODRES (Estonian Academy of Arts in Tallinn, Estonia)
Border in Action: Writing Art History in Soviet Estonia
17:20 – 18:00 | P | KATARZYNA CYTLAK (Universidad Nacional de San Martín, Buenos Aires / Polish Institute of World Art Studies, Warsaw)
Become fixed in the transitory zone. Border Thinking and Making as an artistic strategy of the Polish/ Mexican artist Marek/Marcos Kurtycz/Kurtix
18:30 – 20:00 | Opening reception - Goethe Institut
Tuesday
09:00 – 09:40 | V | KATHY YIM-KING MAK (The Hong Kong Polytechnic University)
Reimagining There: Locality and the Relocatees’ Affective Affinity of the Chinese Great Wall in Post-1949 Taiwan’s Landscape Painting
09:40 – 10:20 | V | GIULIA DEGANO (Universitat de Barcelona)
’I want to show something beyond this, I want to show life’. Khaled Jarrar’s art beyond borders from the global turn perspective
10:20 – 11:00 | V | LAURENCE CORBEL (University Rennes 2)
A site of permanent exception. Border through the prism of counter cartographies
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | RACHEL BAASCH (Rhodes University)
‘Looking with the Skin’: a methodology for analysing borders from South African, Palestinian and Mexican Perspectives
12:00 – 12:40 | V | RASHMI VISWANATHAN (University of Hartford/ American Institute of Indian Studies / Smithsonian Institution)
Modern Art as Borderland
12:40 – 14:00 | Lunch
14:00 – 14:40 | V | KAVITA SINGH (Jawaharlal Nehru University)
Archaeologists Crossing Borders
14:40 – 15:20| V | FERNANDA ALBERTONI (Universidade Federal do Rio de Janeiro)
Archival borders in contemporary art practices: crossings and exchanges between cultures that meet globally and differentiate locally
15:20 – 16:00 | P | KIRSTEN SCHEID (American University of Beirut)
When Art Cannot Cross Borders: Learning from Palestinian Art under Occupation
16:00 – 16:20 | Coffee Break
17:00 – 17:40 | Final Remarks
18:00 – 19:30 | Keynote Lecture
Chairs
V | Thierry Dufrêne (Univ. Paris 10 Ouest-Nanterre, France)
V | Peter Schneemann (Univ. Bern, Switzerland)
P | Vera Beatriz Siqueira (UERJ, Brazil)
V - Virtual | P - In person
Monday
09:00 – 12:00 | Registration
12:00 – 13:20 | Lunch
13:20 – 14:00 | Opening Ceremony
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | V | ANTJE KEMPE (University of Greifswald)
Nature Shipping. Remarks on the Contemporary Ideas of Cultural Heritage
15:00 – 15:40 | P | CEZAR BARTHOLOMEU (Universidade Federal do Rio de Janeiro)
Haruo Ohara: the nature of pictures
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | P | CLAUDIA CENDALES PAREDES (Universidad Jorge Tadeo Lozano)
Plant hunters and their valuable booty
16:40 – 17:20 | V | FERNANDA PEQUENO DA SILVA (Universidade Estadual do Rio de Janeiro)
Livia Flores, Landscapes and Cities Transformations: Poetics in Migration
17:20 – 18:00 | P | GABRIEL NEIL GEE (Franklin University)
“The ground beneath our feet: soil, souls, seeds”
18:30 – 20:00 | Opening reception - Goethe Institut
Tuesday
09:00 – 09:40 | V | GLORIA YU YANG (Kyushu University)
Embracing Climate and Lands: Japanese Art Exhibitions in the 1930s
09:40 – 10:20 | V | LENA GEUER (Postdoctoral researcher at Technische Universität Dresden)
Aesthetics of renunciation – How migration and ecology create new aesthetical forms and practices of renunciation (Ästhetiken des Verzichts)
10:20 – 11:00 | V | JOANNA FIDUCCIA (Yale University)
The Smell of Our Catastrophes
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | LUCY STEEDS (University of the Arts London)
The Migrating Work of Art in the Age of Ecological Exposability
12:00 – 12:40 | V | CARMEN POPESCU (École Nationale Supérieure de Bretagne, Rennes, France)
Displaced/ unplaced populations and the (reverse) lesson of ecological design
12:40 – 14:00 | Lunch
14:00 – 14:40 | V | VERÓNICA URIBE HANABERGH (Universidad de los Andes)
Extracting the visual: mobility, migration and ecology seen through Nineteenth-century visual representations of Colombian mining
14:40 – 15:20 | P | HENRIETTA OMO ESHALOMI (University of Ibadan)
’Blame Climate Change’: Rural Grazing Area, and the New Migration Patterns among Nigerian Herdsmen
15:20 – 16:00 | P | VIRGÍNIA ABREU BORGES (Freie Universität)
Tupinambá memory as European heritage: the ethnographic museum as a field of dispute
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | Final Remarks
18:00 – 19:30 | Keynote Lecture
Chairs
V María de Lourdes Ghidoli (Universidad de Buenos Aires, Argentina)
P Arthur Valle (UFRRJ, Brazil)
V - Virtual | P - In person
Monday
09:00 – 12:00 | Registration
12:00 – 13:20 | Lunch
13:20 – 14:00 | Opening Ceremony
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | V | CAROLINE “OLIVIA” WOLF (Loyola University, Chicago)
Picturing West African Muslims in the 19th century Brazilian Landscape: Mâle Representations in Transatlantic Visual Culture and Architecture
15:00 – 15:40 | V | MÓNICA DOMÍNGUEZ TORRES (University of Delaware)
Pearl and Ebony Treasures: Depicting Black Slaves from the Atlantic Pearl Industry in Early Modern Dresden
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | P | EMI KOIDE (Universidade do Recôncavo da Bahia)
Poetics of specters - dealing with colonial ruination and whitewash
16:40 – 17:20 | P | IRENA KOSSOWSKA (Nicolaus Copernicus University)
Alienated émigré in Paris: The residue of the trauma of World War II in the art of Józef Czapski
17:20 – 18:00 | P | MAURICIO BARROS DE CASTRO (Universidade Estadual do Rio de Janeiro)
Images and memories of slavery in the art of Eustáquio Neves
18:30 – 20:00 | Opening reception - Goethe Institut
Tuesday
09:00 – 09:40 | V | TESSA MURDOCH (Victoria and Albert Museum)
Paul Revere, the English and Channel Islands’ springboard to the New World, the Huguenot Diaspora in the Americas, and the impact of Huguenot material culture
09:40 – 10:20 | P | RAFAEL CARDOSO (Universidade Estadual do Rio de Janeiro and Freie Universität)
Beyond the pale: Émigré and refugee artists look at Afro-Brazilian culture, 1920s to 1940s
10:20 – 11:00 | P | NAZAR KOZAK (National Academy of Sciences, Ukraine)
Helping migrants/breaking borders: art's agency and world's biopolitical divide
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | NENAD MAKULJEVIĆ (University of Belgrade, Serbia)
Expulsion, Visuality and Identity: Visual Culture of Sephardi Jews in the Ottoman Empire
12:00 – 12:40 | V | NORA M ALTER (Temple University)
Migratory Echoes: Sounding out pain in the work of John Akomfrah, Guillermo Galinda, and Lawrence Abu Hamden
12:40 – 14:00 | Lunch
14:00 – 14:40 | P | DINA A. RAMADAN (Bard College)
Museum as Meeting Point: Arab Refugees and Culture as Integration
14:40 – 15:20| P | NATALIA DE LA ROSA (Independent Curator and Researcher)
Experimental Museums confronting Migration: Dynamic Museology at the Sierra Hermosa Community Museum and Reading Club (Mexico)
15:20 – 16:00 | V | RICHARD BULLEN (University of Canterbury)
Mount Fuji and the Long White Cloud: the art of Japanese Prisoners of War in New Zealand
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | V | FAYA CAUSEY (Independent scholar, Washington, DC)
Amber, Africa, and Slavery: The evidence from the Valongo slave-trading wharf area (Rio de Janeiro)
17:00 - 17:40 | Final Remarks
18:00 – 19:30 | Keynote Lecture
Chair
P | Oliver Grau (Danube University, Austria)
P | Giselle Beiguelman (USP, Brazil)
P | Nara Cristina Santos (UFSM, Brazil)
V - Virtual | P - In person
Thursday
12:00 – 14:00 | Lunch
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | P | ANA PERAICA (Visiting Professor at Danube University Krems)
Phototaxidermy - Migration of Species into Databases
15:00 – 15:40 | P | DANIEL DE SOUZA NEVES HORA (Federal University of Espirito Santo - Ufes)
Accelerated displacements between systems: positive and negative entropy as climate and aesthetic issues in post-digital media arts
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | V | NINA SOSNA (Russian Academy of Sciences, Anthropology department)
From no place to no image: iconic migration
16:40 – 17:20 | V | TADEUS MUCELLI (Universidade Federal de Minas Gerais – Escola de Ciência da Informação / PPGCI)
P2P network, machine learning as methodological models of preservation, information retrieval and memory in the face of the anarchist challenge of technologies and users
17:20 – 18:00 | P | VIOLETA VOJVODIC BALAZ (PhD candidate at the Faculty of Media and Communications (FMK), Belgrade)
Digital Migration of Generation X and Eco-techno Utopia: The Case of Novi Sad New Media Scene
18:00 – 19:30 | Keynote Lecture
Friday
09:00 – 09:40 | V J| UNG-YEON MA (Kansai University)
Ecological Perspectives of Seiko Mikami’s Early Works
09:40 – 10:20 | V | VIOLA RUHSE and ANCA HORVATH (Danube University Krems and Aalborg University)
Visualizing Sound Waves - Complex Media Art and Chladni Patterns
10:20 – 11:00 | V | SOTIRIOS BAHTSETZIS (Deree – The American College of Greece, Athens)
Exhibiting the Posthuman: A Dispositive Analysis of the Postmodern Public
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | JOO YUN LEE (Pratt Institute)
Resounding Data: Data Migration through the Bodies, Air, Dirt and Optical Fiber
12:00 – 12:40 | V | NATHALIA LAVIGNE (Architecture and Urbanism College, University of São Paulo)
Ways of seeing: visitors inside the galleries from the post-photographic to the musealized museum
12:40 – 14:00 | Lunch
14:00 – 14:40 | V | LUCIA LEÃO (Pontifical Catholic University of São Paulo)
Migrations Maps: a collective experience about plants, narratives and movements
14:40 – 15:20 | V | LAURA GONZÀLES FLORES (Instituto de Investigaciones Estéticas and Universidad Nacional Autónoma de México)
The Forest. Artificial Intelligence at stake
15:20 – 16:00 | Final Remarks
16:00 – 16:20 | Coffee Break
18:00 – 18:30 | Final Ceremony
18:30 – 20:00 | Final Celebration
Chairs
V | Carmen Fernández-Salvador (Universidad San Francisco de Quito, Ecuador)
V | Cristina González (Oklahoma State University, USA)
V - Virtual | P - In person
Thursday
12:00 – 14:00 | Lunch
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | V | SHIQIU LIU (Ph.D. candidate of the University of Melbourne)
Hybridity of the Islamic and Christian Tombstones in the 14th Century Quanzhou
15:00 – 15:40 | P | ESDRAS ARRAES (University of São Paulo. Faculty of Philosophy, Letters and Human Sciences) Jesuit and Capuchin missions in Northern Brazilian “Sertões”: pre-existences, architecture and spaces beyond the coast
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | P | KIM RICHTER, JEANETTE FAVROT PETERSON, KEVIN TERRACIANO and DIANA MAGALONI (Getty Research Institute; University of California, Santa Barbara; University of California, Los Angeles; Los Angeles County Museum of Art)
The Florentine Codex’s Book 12: Nahua Visions and Voices of the Conquest of Mexico- Tenochtitlan
16:40 – 17:20 | P | MARIA BEATRIZ DE MELLO E SOUZA (Universidade Federal do Rio de Janeiro)
Migrating Images from the Atlantic to the Heart of Darkness: Catholicism, Imperialism and the Goldrush in Portuguese America (XVII-XVIII centuries)
17:20 – 18:00 | V | ANNE DUNLOP (University of Melbourne, Melbourne, Australia)
Ad Tartaros: Latin Missions and Mongol Asia c. 1300
18:00 – 19:30 | Keynote Lecture
Friday
09:00 – 09:40 | V | YOSHIE KOJIMA (Professor, Department of Art History, Waseda University, Tokyo, Japan)
Hidden Christians in Japan and Their Sacred Objects: Maria Kannon (Guanyin), Shells, and Stones
09:40 – 10:20 | V | ZHAN ZHENPENG (Associate Professor of art History and Material Culture Studies, Sun Yat-sen University (SYSU), China)
The Global Life of the Qianlong Emperor’s Lacquer Battle Panels in Eighteenth-Century China and Beyond
10:20 – 11:00 | V | DONG HAN (Department of History of Art, University of Warwick)
From Cartography to Christian Iconography: Giulio Aleni’s Cosmological Images and Jesuit Scientific Imagery in Seventeenth-Century China
11:00 – 11:20 | Coffee Break
12:00 – 12:40 | V | CÉCILE FROMONT (Yale University)
Visual Entanglements and Cross-cultural Visibility in Early Modern Missionary Images
12:40 – 14:00 | Lunch
14:00 – 14:40 | V | YU-CHIH LAI (Institute of Modern History, Academia Sinica)
“Method from the West of the Ocean”: a Contact Zone Style in the High Qing Court
14:40 – 15:20 | V | AMREI BUCHHOLZ (Department of Art History, Hamburg University)
Narratives of Missionary Art – Jesuit Description of Guaranian Artworks and its Impact on Art Historical Perception
15:20 – 16:00 | V | SILVIO FERREIRA RODRIGUES (Federal University of Pará UFPA, Brazil)
Reflecting Rome: Sacred Art and Catholic Reform in the Amazon in the Second Half of the 19th Century
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | V | FERNANDO GUZMÁN and JOSEFINA SHENCKE (Universidad Adolfo Ibáñez)
Lurdes of Santiago and Lourdes of France. Particular conditions of a sacred space. The role of the French religious of the Congregation of the Augustinians of the Assumption
17:00 – 17:40 | V | GLORIA JANE BELL (McGill University)
Eternal Sovereigns: Indigenous Artists, Activists and Travelers at the 1925 Vatican Missionary Exposition
17:40 – 18:00 | Final Remarks
18:00 – 18:30 | Final Ceremony
18:30 – 20:00 | Final Celebration
Chairs
V | Margit Kern (University of Hamburg, Germany)
P | Marco Pasqualini (UFU, Brazil)
V - Virtual | P - In person
Thursday
12:00 – 14:00 | Lunch
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | V | JULIANA MAUÉS (UNICAMP)
Tattoos in Edo Japan, migrations between stage, prints and the streets
15:00 – 15:40 | P | NINO SIMONISHVIL (Ilia State University, Tbilisi, Georgia)
Embodying a Social Transformation Trough Time and Space: The Use and Perception of the Georgian Coat of Arms in a Changing Political Context
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | V | MARÍA ISABEL BALDASARRE (Universidad Nacional de San Martín (UNSAM), Consejo Nacional de Investigaciones en Ciencia y Técnica, Argentina)
Neither female, nor male. Image, Performance and Crossdressing in early twentieth century Argentina
16:40 – 17:20 | V | KILIAN HECK (Chair of Art History at Greifswald University, Germany)
To have been photographed to death. Veruschka and her attempts to change the visible body
17:20 – 18:00 | P | OSCAR SVANELID MEDINA (Södertörn University, Art history Department, Sweden)
Voyages of motionless bodies: a reflexive analysis of Lygia Clarks Estruturação do Self (1978-1984)
18:00 – 19:30 | Keynote Lecture
Friday
09:00 – 09:40 | V | BARBARA BAERT (KU Leuven - Belgium)
From Kairos to Occasio along Fortuna. Body, Motion and Migration in the Mantova Grisaille
09:40 – 10:20 | V | JULIA KLOSS-WEBER (Heinrich-Heine-Universität, Düsseldorf)
St. Francis’ Stigmatized Body – Processes of Transcultural Negotiations in New Spanish Art of the 16th Century
10:20 – 11:00 | V | ELISA ANTONIETTA DANIELE (Alma Mater Studiorum - University of Bologna)
Nature, Commodities, and Bodies in Baroque Ballets across the Savoy State: Choreographies of Transmutation and Consumption
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | JIANG HANYUN (Postdoctoral Fellow - School of Arts, Tsinghua University, China)
From a Modern Woman to a National Painter: Flowing Identities of Bodies Constructed in Pan Yuliang’s Paintings
12:00 – 12:40 | V | EMILY ENGEL (University of California, Santa Barbara, USA)
The Portrait as Itinerant Icon in Revolutionary South America
12:40 – 14:00 | Lunch
14:00 – 14:40 | V | FABIO CAFAGNA (Università degli studi di Firenze, Italy) In Between Criminal and Saintly Bodies: A History of Punishment, Hallowing and Dissection
14:40 – 15:20 | V | JULIET KOSS (Scripps College, California, USA)
Prototypes, Productivism, and a Body of Work: Lyubov Popova’s Magnanimous Actors
15:20 – 16:00 | V vBEATRICE VON BORMANN (Stedelijk Museum Amsterdam, Netherlands)
The Indigenous body in German Expressionist Art
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | V | JESSICA ULLRICH (Art Academy Münster, Germany)
When Species Migrate. Becoming-Animal in Contemporary Art
17:00 – 17:40 | Final Remarks
18:00 – 18:30 | Final Ceremony
18:30 – 20:00 | Final Celebration
Chairs
V | Peju Layiwola (Univ. of Lagos and ACASA)
P | Paulo Knauss (UFF, Brazil)
V - Virtual | P - In person
Thursday
12:00 – 14:00 | Lunch
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | P | DAMIANA OTOIU (University of Bucharest)
French Collections of Physical Anthropology. National Diplomatic Strategies and Politics of Restitution
15:00 – 15:40 | V | IRO KATSARIDOU (Curator, Museum of Byzantine Culture, Hellenic Ministry of Culture, Greece) “Ours again”: the polarized discourses on the Parthenon Marbles in today’s Greece
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | P | MICHAEL CONFORTI (Williams College, Williamstown, Massachusetts)
Dream a Different Dream of Cultural Exchange
16:40 – 17:20 | P | MIRJAM BRUSIUS (German Historical Institute London)
Repatriating Histories. The Subaltern Voices of Museum Objects
17:20 – 18:00 | V | ROMUALD TCHIBOZO (Université d’Abomey-Calavi, Bénin)
Benin Republic’s artefacts in French institutions: where are the owners
18:00 – 19:30 | Keynote Lecture
Friday
09:00 – 09:40 | V | YOUNG PARK (Institut für Kunstwissenschaft und Historische Urbanistik, Technische Universität Berlin): The double burden of Korea: handling a colonial collection in the national museum
09:40 – 10:20 | V | SWASTI KUMAR (PhD Candidate, Jawaharlal Nehru University, New Delhi, India): Orphaned objects: the waste and excess of restituted cultural property
10:20 – 11:00 | V | SHUCHEN WANG (Jyväskylä University)
Guns and Wealth: Returning the Cultural Heritage of the Other Acquired during Colonization
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | P | SABRINA MOURA (Universidade de Campinas)
“We are Tupinambá and want the cloak back!" Restitution claims and the place of Indigenous art in the Brazilian art canon
12:00 – 12:40 | Final Remarks
12:40 – 14:00 | Lunch
16:00 – 16:20 | Coffee Break
17:40 – 18:00 | Final Remarks
8:00 – 18:30 | Final Ceremony
18:30 – 20:00 | Final Celebration
Chairs
V | Anupa Pande (National Museum Institute, Janpath, India)
V | Savita Kumari (National Museum Institute, Janpath, India)
P | Rosana Pereira de Freitas (UFRJ, Brazil)
V - Virtual | P - In person
Thursday
12:00 – 14:00 | Lunch
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | V | BAIDING FAN (Assistant Professor and Head of the Department of Art History Department, China Academy of Art)
Shifting Frameworks: The Common Foundations of Kulturwissenschaft and Kunstwissenschaft in the 19th Century
15:00 – 15:40 | P | BÉLA ZSOLT SZAKÁCS (Pazmany Peter Catholic University, Department of Art History
and Central European University, Department of Medieval Studies, Budapest)
Shamanism, Christianity, and the Art of Migrating Hungarians
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | P | DANIELA PINHEIRO MACHADO KERN (Universidade Federal do Rio Grande do Sul)
Ideas in transit: Hanna Levy-Deinhard and the Theory of Pure Visibility
16:40 – 17:20 | P | LAURA YEREKESHEVA (Prof., Oriental Faculty, al-Farabi Kazakh National University - Almaty, Kazakhstan)
Religious Flows and Shaping Cultural Milieu in Central Asia: The Artistic Expressions of the Sacred, Deities and Rituals (I Millennium CE)
17:20 – 18:00 | P | LUIS F. S. SANDES (PhD student, University of São Paulo, Architecture and Urbanism Department)
The role of migration of ideas, practices and people in the coming of Concrete Art in Sao Paulo.
18:00 – 19:30 | Keynote Lecture
Friday
09:00 – 09:40 | V | CARLA SUBRIZI (Sapienza Rome University)
Artworks that challenge Art History: Chantal Akerman, Maria Thereza Alves, Antoni Muntadas, Allan Sekula
09:40 – 10:20 | V | MARÍA DEL CASTILLO GARCÍA ROMERO (Department of Art History, University of Seville)
Travelling families. An approximation to the Indian matrimony in Lebrija (Sevilla)
10:20 – 11:00 | V | MATEUSZ KAPUSTKA (FreieUniversität Berlin / University of Zurich)
Egypt in India. Reviewing the Early Modern ‘Theories of Degeneration’
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | TATIANE DE OLIVEIRA (Federal University of Santa Maria and postdoctoral fellow at Universidade do Porto)
Latin American-ness: their shared African and Black Diasporic histories into art
12:00 – 12:40 | V | CATHERINE B. ASHER (University of Minnesota)
From India to Southeast Asia: A Building Transcends an Ocean
12:40 – 14:00 | Lunch
14:00 – 14:40 | P | SOPHIE-MARIE GERETSEGGER (University of Applied Arts Vienna)
Ships, Heroes and New Frontiers. Myths of Travel and Migration
14:40 – 15:20 | P | TRISTAN WEDDIGEN (Bibliotheca Hertziana – Max Planck Institute for Art History, Rome, and University of Zurich, Switzerland)
Quest for Oneness: Geometric Formalism as a Global Method of Art Research
15:20 – 16:00 | V | MICHIKO OKANO ISHIKI (Universidade Federal de São Paulo)
Transculturality and Hybridity: Nipo-Brazilian Artists
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | Final Remarks
18:00 – 18:30 | Final Ceremony
18:30 – 20:00 | Final Celebration
Chairs
P | Joseph Imorde (Weissensee Kunsthochschule Berlin, Germany)
P | Patricia Dalcanale Meneses (UNICAMP – Brazil)
V - Virtual | P - In person
Monday
09:00 – 12:00 | Registration
12:00 – 13:20 | Lunch
13:20 – 14:00 | Opening Ceremony
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | P | ANA PAULA DOS SANTOS SALVAT (Universidade de São Paulo)
From Mexico to Spain: the constitution of the Plazas Mayores and the Amerindian roots
15:00 – 15:40 | P | ANNABELLE PRIESTLEY (Princeton University Art Museum)
Typology in visual arts: a traveling concept exemplified in Laylah Ali’s Typology series
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | P | VICTOR TUON MURARI (Universidade de São Paulo)
Giorgio Morandi in Brazil: the case of modern Italian criticisms
16:40 – 17:20 | V | CAROLINA VIEIRA FILIPPINI CURI (Universidade Estadual de Campinas)
Pop Art in South America: Differences and Dissent
17:20 – 18:00 | P | CLARA HABIB DE SALES ABREU (Universidade Estadual do Rio de Janeiro)
Norms in Motion: Migration of ideas between the Italic and Iberian Peninsula through the treatises of Gabriele Paleotti and Francisco Pacheco
18:30 – 20:00 | Opening reception - Goethe Institut
Tuesday
09:00 – 09:40 | V | ANNABEL RUCKDESCHEL (University of Giessen)
Studying an Art Center Inside Out: The “École de Paris” as a Travelling Concept and its Canonization in the 1920s and 1930s
09:40 – 10:20 | P | JESSE LOCKARD (University of Chicago)
Cluster Patterns: Theorizing “Habitat” and Visualizing Collectivity in Postwar Architecture
10:20 – 11:00 | P | MARCO SILVESTRI (Paderborn University)
Vale un Potosí. Architectural transfer processes in Silver mining cities in the 16th century
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | MARCOS PEDRO MAGALHÃES ROSA (Universidade Estadual de Campinas)
Japanese-Brazilian painting in São Paulo in 1950: confluence of foreign ideas and forms
12:00 – 12:40 | P | SOFÍA VINDAS SOLANO (Universidad de Costa Rica)
From aircraft factory to bicycle shop”: The OAS and the Central American and Caribbean visual arts, 1950s-1970s
12:40 – 14:00 | Lunch
14:00 – 14:40 | V | CAMILLA FROIO (Università di Firenze, Siena e Pisa)
The Critical Reception of G.E. Lessing's Laokoon in North America and the Origins of Clement Greenberg's Towards a Newer Laocoon (1940).
14:40 – 15:20 | V | SUGANDHA TANDON (Jawaharlal Nehru University)
The Making of Chinese Political Propaganda Posters (1949-1976)
15:20 – 16:00 | V | WENJIE SU (Princeton University)
Who Conceived the Ten Thousand Things? The Meeting of Renaissance and Chinese Art Theoretical Ideas in Seventeenth-century Jesuits’ Catechism Treatise
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | P | IANICK TAKAES DE OLIVEIRA (Columbia University)
One Touch of Venus – Notes on a Cardiac Arrest at the Uffizi
17:00 – 17:40 | Final Remarks
18:00 – 19:30 | Keynote Lecture
Chairs
P | Byron Hamann (Ohio State University, USA)
P | Maria Inez Turazzi (UFF, Brazil)
V - Virtual | P - In person
Monday
09:00 – 12:00 | Registration
12:00 – 13:20 | Lunch
13:20 – 14:00 | Opening Ceremony
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | P | ALICE HEEREN (Southern Methodist University)
Utopia Between Media? Brasília’s Image and its Contemporary Reassessment
15:00 – 15:40 | P | CÁSSIA HOSNI (Universidade de São Paulo)
Moving Images in the Exhibition Design: Questions about the passage of the Black Box to the White Cube
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | P | ELENA GIULIA ROSSI (Arshake.com fine arts, Academy in Rome)
Media Migration to the Digital: The Case of Algorithmic Photography
16:40 – 17:20 | V | GABRIELA PAIVA DE TOLEDO (Southern Methodist University)
Sacred objects in the photographs of Pierre Verger.
17:20 – 18:00 | V | GANIYU JIMOH (Rhodes University & Lagos University)
The Gelede Series: Trans-migration and the Postcolonial Reality in Wole Lagunju works.
18:30 – 20:00 | Opening reception - Goethe Institut
Tuesday
09:00 – 09:40 | V | YUMA KUBO (University of Tokyo)
Titian and the circulation of the oil painting on stone: Beyond the technique for stale paintings of Sebastiano del Piombo.
09:40 – 10:20 | V | HARSHITA BATHWAL (Jawaharial Nehru University)
Between Theatre and Technology: Towards an Ethical Theorisation of Regionality
10:20 – 11:00 | V | CHIARA VITALI (École Normale Supérieure)
Colour reproductions as a symbolization device: the UNESCO Prize as a strategy for an alternative global artistic canon
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | YUNING TENG (Universität Hamburg)
Media Transformation in a Transcultural Perspective: A Portrait of Muhammad in a Chinese Public Park in the 1920s
12:00 – 12:40 | V | VIVIANA POZZOLI (Università degli Studi di Milano)
Colour Reproductions for Modern Art. Venturi and the Print Exhibitions in Post-war Italy.
12:40 – 14:00 | Lunch
14:00 – 14:40 | P | VIVIAN HORTA (Universidade Federal do Rio de Janeiro)
Performances and archive: Márcia X., Marina Abramovic' and Mabe Bethônico in migration
14:40 – 15:20 | P | MIRANDA SAYLOR (University of California, Los Angeles)
Mystical City of God’s Passage from Print to Painting
15:20 – 16:00 | P | TOSIN ADEATE (University of KwaZulu)
African Spirituality in Visual
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | P | ZVJEZDAN VUKOVIC (Independent scholar)
The first European wheel: A prehistoric instrument of Indo-European migrations and its reflections in Croatian contemporary design
17:00 – 17:40 | Final Remarks
18:00 – 19:30 | Keynote Lecture
Chairs
V | Pedro Luengo (Universidad de Sevilla, Spain)
V | Angela Brandão (Unifesp, Brazil)
V - Virtual | P - In person
Monday
09:00 – 12:00 | Registration
12:00 – 13:20 | Lunch
13:20 – 14:00 | Opening Ceremony
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | V | AGATHE BONNIN (École Normale Supérieure)
Image and presence: circulation and reemployment of objects in the cult of Teresa de Ávila’s relics
15:00 – 15:40 | P | ANKITA SRIVASTAVA (Jawaharlal Nehru University):
Begum alias Madonna: A Study of the Trans-Continental Monument Commissioned
by the ‘Lunatic’ Anglo-Indian Heir of Sardhana
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | V | DANIELLE EZOR (Southern Methodist University)
The Makeup Table in Motion: Constructing Whiteness in the Eighteenth-Century
French Caribbean
16:40 – 17:20 | P | MILENA GALLIPOLI (Universidad Nacional de San Martín)
Victories for exchange: plaster casts and originals’ travels in the context of the discovery of the Victoire de Samothrace
17:20 – 18:00 | P | HARRISON ADEWALE IDOWU (Obafemi Awolowo University)
The Migration of Benin Artefacts and the Quest for Restitution
18:30 – 20:00 | Opening reception - Goethe Institut
Tuesday
09:00 – 09:40 | V | YINGYING DAI (Nanjing University)
Islamic Art from Chinese Archeological Excavations: From Tang Dynasty to Ming Dynasty (Seventh Century to Fifteenth Century) through Silk Road
09:40 – 10:20 | V | LU TIAN (Freie Universität)
The Shanpula Tapestry: Cultures woven together on the Silk Roads
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | SOPHIA OLIVIA SANAN (University of Cape Town)
‘African Art’ and Object Migration in the South African National Gallery - a sociological
analysis of object histories.
12:00 – 12:40 | P | LORENZO MERLINO (Universidade Estadual de Campinas)
Robe chemise – the very first métissage in Art History?
12:40 – 14:00 | Lunch
14:00 – 14:40 | P | KATERYNA HOTSALO (The Bohdan and VarvaraKhanenko National Museum of Art in Kyiv)
Interpretation of the East in Italy during the late Middle Ages: the study through textiles
14:40 – 15:20 | P | NINEL VALDERRAMA NEGRÓN (Duke University)
The Power Bricolage: the Binondo Pagoda at the Manila Festivities (1825)
15:20 – 16:00 | V | LIFANG ZHANG (Rhodes University)
Materializing Urban Transition and People’s Lived-experiences with Foreign Objects: An Analysis of Zimbabwean Artist Moffat Takadiwa’s Practice
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | P | JOYCE FARIAS DE OLIVEIRA (Universidade Federal de São Paulo /UNIFESP)
The survival of a canon: the african pine-knot sculptures in Brazil
17:00 – 17:40 | Final Remarks
18:00 – 19:30 | Keynote Lecture
Chairs
V | Alexandra Karentzos (Technische Universität Darmstadt, Germany)
V | Miriam Oesterreich (Universität der Künste Berlin, Germany)
P | Paula Viviane Ramos (UFRGS, Brazil)
V - Virtual | P - In person
Thursday
12:00 – 14:00 | Lunch
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | V | MRINALINI SIL (School of Arts and Aesthetics, Jawaharlal Nehru University, India)
Imaging courtly cosmopolitanism and making of an imperial collection: An exploration of Robert Clive’s Ganjifa cards from eighteenth century Bengal
15:00 – 15:40 | P | LIISA KALJULA (Tallinn University; Art Museum of Estonia)
Pop Art or Sots Art? Appropriation of Soviet Visual Culture in Estonian Art under Late Socialism
15:40 – 16:00 | Coffee Break
16:40 – 17:20 | P | BRANDON SWARD (University of Chicago)
How to make site-specific art when sites themselves have histories: Whittier Boulevard as Asco’s "El Camino Surreal"
17:20 – 18:00 | V | ASIEL SEPÚLVEDA (Southern Methodist University)
The Día de Reyes Processions: African Cabildos and Artistic Modernity in Nineteenth-Century Havana
18:00 – 19:30 | Keynote Lecture
Friday
09:00 – 09:40 | V | LISA ANDREW (University of Wollongong, New South Wales, Australia)
Modified Fruit: Weaving transcultural threads between Santa Cruz and Santa Cruz
09:40 – 10:20 | V | ABIODUN PAUL AFOLABI (Rhodes University, South Africa)
Climate Change, Forced Migration and Cultural Vulnerabilities of Migrants.
10:20 – 11:00 | V | MONA SCHIEREN (University of the Arts Bremen)
Agents of the Construction of Asianistic Aesthetics in the West. Ernest Fenollosa, Okakura Kakuzō and Post-War American Art
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | HANNA BÜDENBENDER (Universität des Saarlandes, FachrichtungKunst- und Kulturwissenschaft, Institut für Kunstgeschichte, Saarbrücken, Germany)
Representing and Negotiating the U.S.-Mexico Borderlands: Photography, Migration and Transculturality
12:00 – 12:40 | V | MELANIE VIETMEIER (Independent Scholar)
In Motion: National Imaginaries and
Transcontinental Entanglements in Peruvian Modern Art and Textile Design
12:40 – 14:00 | Lunch
14:40 – 15:20 | V | FRANCISKA NOWEL CAMINO (Johann Wolfgang Goethe-Universität, Frankfurt am Main)
Transcultural Text(il)-Knots. Quipus in the artistic practice from Jorge Eduardo Eielson and Cecilia Vicuña
15:20 – 16:00 | V | JOSEPH R. HARTMAN (University of Missouri-Kansas City)
Hurricane Hybridity: Migration, Transculturation, and the Art History of Hurricanes
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | V | ANELISE TIETZ (Universidade do Rio de Janeiro)
Transits in the margins: art and migration in Latin America
17:00 – 17:40 | Final Remarks
18:00 – 18:30 | Final Ceremony
18:30 – 20:00 | Final Celebration
Chairs
V | Todd Porterfield (New York University, USA)
P | Fernanda Pitta (Pinacoteca do Estado de São Paulo, Brazil)
V - Virtual | P - In person
Thursday
12:00 – 14:00 | Lunch
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | P | CHARLOTTE MATTER (University of Zurich, Switzerland)
Home as a “site of resistance” within exhibition space
15:00 – 15:40 | P | DICKSON ADOM (Kwame Nkrumah University of Science and Technology, Ghana)
Asante Kente: A Home Craft and A Symbol of Unconditional Hospitality for Migrant Art Genres and Cultures
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | V | CARLOS LIMA JUNIOR (Museu de Arte Contemporânea da Universidade de São Paulo)
Marianne goes to the Tropics: the allegories of the Republic in Brazil
16:40 – 17:20 | P | FABRICCIO NOVELLI DURO (Universidade Estadual de Campinas)
Orientalism in a tropical Empire: Orientalist artistic models and Pedro Américo’s artworks in Rio de Janeiro
17:20 – 18:00 | P | FRANCISLEI LIMA DA SILVA (Universidade Estadual de Campinas)
The vitality of green men in carving / wood and stone ornamentation in the Luso-Brazilian world throughout the 18th century
18:00 – 19:30 | Keynote Lecture
Friday
09:00 – 09:40 | V | ANNE HARTIG (Jawaharlal Nehru University, New Delhi)
The ‘home-making’ moment
09:40 – 10:20 | V | SERENA MARCONI (Universität Bern)
Intranational Migration and the Sense of “At-Homeness”: Milan filmed by the Italian Artist Ugo La Pietra in the 1970s
10:20 – 11:00 | V | ANDREW CHEN (Texas State University)
Hosting the Ship of Salvation in India and East Asia, ca. 1600
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | BIHE HUANG (Institute of East Asian Art History, Heidelberg University, Germany)
Landscaped Village: Xu Bing’s early woodcuts, Millet, and Gu Yuan
12:00 – 12:40 | V | ADRIAN ANAGNOST (Tulane University)
Pre-fab Citizenship: Placemaking, Migration, and Belonging in 19 -century Louisiana
12:40 – 14:00 | Lunch
14:00 – 14:40 | P | JULIA KERSHAW (Florida State University)
Crossing Borders and Boundaries: The Many Homes of Lygia Clark
14:40 – 15:20 | P | PRISCILA SACCHETTIN (Instituto de Estudos Brasileiros da Universidade de São Paulo)
A home for creativity: Maria Leontina’s atelier and art collection
15:20 – 16:00 | P | GIULIA MURACE (Universidad Nacional de San Martín / CONICET - Consejo de Investigaciones Científicas y Técnicas, Argentina)
“Nationality is the homeland”, is it? Argentine artists in Rome between the late 19th and the early 20th century
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | Final Remarks
18:00 – 18:30 | Final Ceremony
18:30 – 20:00 | Final Celebration
Chairs
V | Georgiana Uhlyarik (Art Gallery of Ontatio, Canada)
P | Valeria Piccoli (Pinacoteca do Estado de São Paulo, Brazil)
V - Virtual | P - In person
Thursday
12:00 – 14:00 | Lunch
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | P | ALICE LABOR (IMT School for Advanced Studies Lucca)
Museums on the border
15:00 – 15:40 | P | ANDREA DELAPLACE (Université Paris 1 Panthéon-Sorbonne)
Migration Heritage, contemporary art and archives: representations, memories and identities
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | P | BIANCA A TINOCO (Ph.D. Candidate in Theory and History of Art - University of Brasilia, Brazil) Laughter, Shame, Regret: Performance and Social Recognition of Rape
16:40 – 17:20 | P | JULIANA ROBLES DE LA PAVA (Centro de Investigación en Arte, Materia y Cultura, IIAC-UNTREF, Argentina)
Curatorial and museographical models for Latin American Photography
17:20 – 18:00 | P | SHRAMONA MAITI (Jawaharlal Nehru University, New Delhi)
Relational Aesthetics and its Discontents in the Cultural Context of India
18:00 – 19:30 | Keynote Lecture
Friday
09:00 – 09:40 | P | ELOISA RODRIGUES (School of Museum Studies, University of Leicester, UK, AHRC-Midlands Cities DTP)
Mapping Brazilian art in collections across the UK
09:40 – 10:20 | P | LEWIS SAROJINI (Jawaharlal Nehru University)
Visuals of Female Bhojpuri Migrants: Situating the Archive through a Contemporary Lens
10:20 – 11:00 | V | ESTHER AMARA (University of Lagos, Akoka, Nigeria)
Contending with “Ownership” in the Repatriation of African Cultural Artifacts
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | MARINA MAZZE CERCHIARO (University of São Paulo)
São Paulo and Paris Biennials: a comparative approach on geographical and gender inequalities (1951-1967)
12:00 – 12:40 | V | KEHINDE C ADEWUMI (Department of Fine Art, Ahmadu Bello University, Zaria, Kaduna State, Nigeria)
Integrating Contextual Differences: Art Workshops as a Tool for Bridging Global Multicultural Gaps
12:40 – 14:00 | Lunch
14:00 – 14:40 | V | ADRIANA PALMA (Researcher at the Afro Brazilian Museum)
Migrations of ideas: Pietro Maria and Lina Bo Bardi’s approaches to Brazilian culture
14:40 – 15:20 | P | RACHEL VALLEGO (Universidade de São Paulo)
The presence of the art market in the art system through the institutionalization of private collections
15:20 – 16:00 | Final Remarks
16:00 – 16:20 | Coffee Break
18:00 – 18:30 | Final Ceremony
18:30 – 20:00 | Final Celebration
Chairs
V | Angelo Cattaneo (Universidade Nova de Lisboa, Portugal)
P | Giovanna Capitelli (Università Roma Tre, Italy)
P | Tamara Quírico (UERJ, Brazil)
V - Virtual | P - In person
Monday
09:00 – 12:00 | Registration
12:00 – 13:20 | Lunch
13:20 – 14:00 | Opening Ceremony
14:00 – 14:20 | Opening Remarks
14:20 – 15:00 | V | CARLA MAZZARELLI (Università della Svizzera italiana)
Rome, Venice, Naples and Florence seen by Brazilian painters in the Nineteenth centuries: visiting museums, copying the great masters
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | P | HELOISA ESPADA (Instituto Moreira Salles)
Waldemar Cordeiro and the Forma group: the Roman way of the Paulista concrete art
16:40 – 17:20 | V | LAURA IAMURRI (Università Roma Tre)
Modernity abroad: Italy at the Bienal de São Paulo, the first years
17:20 – 18:00 | V | PATRÍCIA FREITAS (MAC, USP) e RENATA ROCCO (MAC, USP)
Far beyond the work of art: migrations of knowledge between Brazil and Italy in the 1950s
18:30 – 20:00 | Opening reception - Goethe Institut
Tuesday
09:00 – 09:40 | V | CATERINA CAPUTO (Università degli Studi di Firenze)
The "Extraordinary International Congress of Art Critics" in 1959: Argan, Dorfles, Dorazio and “The New City - Synthesis of the Arts”
09:40 – 10:20 | V | MARIA SAVERIA RUGA (Accademia di Belle Arti di Catanzaro)
Teresa Cristina of Bourbon’s Voyage. Art and Politics between Italy and Brazil
10:20 – 11:00 | V | FERNANDA MARINHO (Biblioteca Hertziana)
Brazilian Modernism and the Italian Paradigm. The Commemorative Exhibition of the 50th Anniversary of Official Immigration
11:00 – 11:20 | Coffee Break
11:20 – 12:00 | V | EVELYNE AZEVEDO (Universidade Estadual do Rio de Janeiro)
Global art "avant la lettre": defining a modern Brazilian civilization in between indigenous pottery and Greco-Roman art
12:00 – 12:40 | V | RAFFAELLA PERNA (Università La Sapienza di Roma)
Concrete Poetry: Exchanges between Brazil and Italy 1950-1980
12:40 – 14:00 | Lunch
14:00 – 14:40 | V | TOMMASO CASINI (Libera Università IULM, Milan)
LionelloVenturi between Italy and Brazil: CIHA Congress in Venice (1955) and
the VIth São Paulo Biennial (1961)
14:40 – 15:20 | V | MICHELLI CRISTINE SCAPOL MONTEIRO (Museu Paulista, USP)
A painting in motion between Italy and Brazil: “Independence or Death” by Pedro Américo
15:20 – 16:00 | P | RAFAEL MOREIRA (Universidade Nova de Lisboa)
Carlos Julião [Carlo Giuliani] and the 'Philosophical Voyages' in the post-Pombal Portuguese world
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | V | SÉRGIO BRUNO GUIMARÃES MARTINS (PUC-Rio/Freie Universität Berlin)
Project and painting: Antonio Dias in Milan, 1969-1972
17:00 – 17:40 | Final Remarks
18:00 – 19:30 | Keynote Lecture
Chairs
V | Deborah Dorotinky (Instituto de Investigaciones Estéticas de la UNAM, Mexico)
V | Krista Angelique Thompson (Northwestern University, USA)
V - Virtual | P - In person
Thursday
12:00 – 14:00 | Lunch
14:00 – 14:20 | Opening Remarks
15:00 – 15:40 | V | LUIS VARGAS SANTIAGO, “Zapata’s image, a Case Study on the Concept of Visual Diaspora”, Instituto de Investigaciones Estéticas, UNAM, Mexico City (Mexico)
15:40 – 16:00 | Coffee Break
16:00 – 16:40 | V | MARIA CLARA BERNAL, “In time of migrants; art for a world without territory”, (En tiempo de migrantes: arte para un mundo sin territorio), Universidad de Los Andes, Bogotá (Columbia).
16:40 – 17:20 | V | TIONA NEKKIA MCCLODDEN, “I prayed to the wrong god for you”, Visual Artist and Filmmaker (USA/Cuba)
18:00 – 19:30 | Keynote Lecture
Friday
09:00 – 09:40 | V | AMY GROLEAU, “Todxs Somxs Ukuku: Migration, Memory Work, and an Andean Dance Mask”, Smithsonian Museum of American Indian, Washington D.C. (USA)
09:40 – 10:20 | V | LAWRENCE LA FOUNTAIN-STOKES, “Queer Puerto Rican Displacements: Decolonial Sex and Gender Transgressions in the Performances of Awilda Rodríguez Lora, La Performera”, University of Michigan, Ann Arbor (USA)
10:20 – 11:00 | P | CHRISTOPHER COZIER, “Notes on Looking at Shifting Things while Shifting - Unstable Prospects”, Artist, Writer, and Cofounder Alice Yard, Port of Spain (Trinidad)
11:00 – 11:20 | Coffee Break
12:00 – 12:40 | V | ESTHER GABARA,“Nets, Cords, Strings, and Bonds: Lines of Research, Connection, and Invention in Abraham Cruzvillegas’s Autoconstrucción Series”, Duke University, Durham (USA)
12:40 – 14:00 | Lunch
14:00 – 14:40 | V | ANNA ARABINDAN-KESSON, “The Global Plantation”, Princeton University, Princeton (USA)
14:40 – 15:20 | V | PETRINA DACRES, “Marcus Garvey’s Image and African Diasporic Geographies”, Edna Manley College of the Visual and Performing Arts, Kingston (Jamaica)
16:00 – 16:20 | Coffee Break
16:20 – 17:00 | V | ELVAN ZABUNYAN, “The photo portrait of Haile Selassie I by the Boyadjians, the migration of an image” , Contemporary art historian, professor at Rennes University, Brittany and art critic (France)
17:00 – 17:40 Final Remarks
18:00 – 18:30 | Final Ceremony
18:30 – 20:00 | Final Celebration